PERSON OF INTEREST / THE CENTRAL STORY
THE WITNESS.
She was a child when the memories began. Years later, she is still drawing the same faces.
NOTEBOOK PLATE / C—03PROFILE / UNNAMEDSOME STORIES
SOME STORIES
ARE DRAWN FIRST.
The earliest memories came without context: a figure beyond a window, a room changed by strange light, a face that seemed familiar before it had ever been seen.
Instead of answers, there were sketches. The notebooks became a way of holding onto details that ordinary language could not quite reach.
As the story moves forward, the witness begins to connect the images to the night sky, the Pleiades, and much older human stories about visitors from above.
START WITH THE FIRST DRAWINGFROM THE NOTEBOOKS
“Maybe the question was never whether they were real. Maybe the question was why the memory kept returning.”— ARCHIVE NOTE / CONCEPT ENTRY
02 / SELECTED DRAWINGS
FROM THE NOTEBOOK.
FILE 001The first drawing
Before there were names, there was a face she could not forget.
OPEN CASE FILE
FILE 002The seven lights
A repeating pattern in the night sky becomes impossible to ignore.
OPEN CASE FILEFILE 003The figure at the window
One recurring image appears across separate notebooks.
OPEN CASE FILE