THE FIRST FACE
The Observer
The figure present in the earliest sketches. Familiar, silent, difficult to place.
Not names. Not answers. Faces and patterns that return to the page.
The story's visitor archive begins with concept drawings. Actual contributed artwork can replace these studies as the project develops.
The figure present in the earliest sketches. Familiar, silent, difficult to place.
Not a portrait but a formation. The constellation-like image that returns across the notebooks.
A figure at a window, caught between the place she remembers and the one she cannot describe.